Ghost of Tsushima || Komatsu
Responsible for helping with town layout over the lifespan of the town, helped bring our core architecture sets to life, and did various passes of terrain sculpting and painting.
Responsible for helping bring the bell tower to polish, set dressing the interior spaces, and helping set dress the exterior spaces.
Responsible for helping bring the bell tower to polish and creating the cloth hanging out the back window.
Responsible for bringing the building from greybox to finished using Phillip Jennés materials. Part of our burnt architecture set.
Responsible for bringing this building to polish, and worked with multiple artists over the lifespan of this piece to keep it beautiful and functional for the final game.
Responsible for doing the main art pass and set dressing the interior of the master smith building as well as the creation of the forge.
I worked on Komatsu throughout the project with a slew of different artists, so here goes trying to catch them all. Thanks to Jeff Lester, Anton Gonzalez, Phillip Jenné, Emilio Gandin, Dongjoon Lee, Blake Mead, Lisa Liao, Joanna Wang, and Zack Cheng. Shout out to Ian Chiew for his incredible concept direction. And thanks to anyone I forgot :).
I was responsible for helping in everything ranging from town layout, terrain sculpting, terrain painting, grass painting, architecture sets (base models through to modular sets), asset creation, interior and exterior set dressing, cloth simulation, and mission assistance. Shown here is a small selection of key areas that I helped refine later in the project.
One of my main focuses was the master smith building and forge. Phillip Jenné helped get the roof material looking right, and Anton Gonzalez helped make sure the building continued to be watertight throughout iteration.